History of Art
Series Titles
1980
1990
1995
1998
2000
2008
2009-2014
2015-2019
2018-2020
2021-2024
Portrait
Mixed Media
Bangsan Market
Iron Age
Stainless steel
wire-Drawing
Life is drama
Shakespeare/Literature
Botanic Map/Urban Map
Cosmism/
Un-uclid space
Running soldier
Female in front of the mirror
beautiful Chatting
Free & Soft
TONOTENACELA
Pigment squeezing/mandala
Material paradise/ Reverse Assemblage /metamorphosis/messenger's Voice/Void Womb/ Rush hour
Time & Speed/Small Fantasia
dripping
Pyramid/Sabbath/Rest
In-between/Religion
Hyper-realism
Re-cycling
big Sculpture/ small bronze/ upper ground/Small Fantasia
Main Method
Acrylic
Pigment+ Lubber
Alluminum
stainless steel wire/plate relief
Oil
Dying Sand
cardboard paper
steel
Plastic
+steel
bronze+stainless steel
super-mirror
canvas
Thick Cloth
Net
Electric Welding
Electric Welding+Arc Welding
Critical Change
Aesthetical
Socio-critical
Socio-political
Aesthetical
Humanity : eternity
Present being
literature Adaptation
Fantasy
Domestic Issue
International Issue
Global Issue: Thirsty and Hungry
Each Term's Focus of Investigation
realistic representation
2.7 Dimension Space+ Illusion
importance of expression
line & Space
Magic of Reflection/Adaptable Frame
color & texture harmony
Endurance of the Art/ Life is beautiful/ Stage Composition
Micro-Cosmos
Recycling
Texture of the materials
The Universe/Humanity
Trashes in The Space
planets in the space
History of Art Series Titles | |||||||||
1980 | 1990 | 1995 | 1998 | 2000 | 2008 | 2009-2014 | 2015-2019 | 2018-2020 | 2021-2024 |
Portrait | Mixed Media | Bangsan Market | Iron Age | Stainless steel | wire-Drawing | Life is drama | Shakespeare/Literature | ||
Botanic Map/Urban Map | Cosmism/ Un-uclid space | | Running soldier | Female in front of the mirror | beautiful Chatting | Free & Soft TONOTENACELA | |||
| Pigment squeezing/mandala | Material paradise/ Reverse Assemblage /metamorphosis/messenger's Voice/Void Womb/ Rush hour | Time & Speed/Small Fantasia | ||||||
| dripping | | Pyramid/Sabbath/Rest | ||||||
| In-between/Religion | ||||||||
Hyper-realism | Re-cycling | big Sculpture/ small bronze/ upper ground/Small Fantasia | |||||||
Main Method | |||||||||
Acrylic | Pigment+ Lubber | Alluminum |
| stainless steel wire/plate relief | |||||
Oil | Dying Sand | cardboard paper | | steel | Plastic +steel | | bronze+stainless steel | super-mirror | |
canvas | Thick Cloth | Net | Electric Welding | Electric Welding+Arc Welding | |||||
Critical Change | |||||||||
Aesthetical | Socio-critical | Socio-political | Aesthetical | Humanity : eternity | |||||
Present being | |||||||||
literature Adaptation | |||||||||
Fantasy | |||||||||
Domestic Issue | International Issue | Global Issue: Thirsty and Hungry | |||||||
Each Term's Focus of Investigation | |||||||||
realistic representation |
| 2.7 Dimension Space+ Illusion | |||||||
| importance of expression | | line & Space | Magic of Reflection/Adaptable Frame | |||||
| color & texture harmony |
| Endurance of the Art/ Life is beautiful/ Stage Composition | ||||||
Micro-Cosmos | Recycling | Texture of the materials | The Universe/Humanity | ||||||
| Trashes in The Space | planets in the space | |||||||
2024 년 진행 중인 연구 (Ongoing Study)
Adaptable Frame
Stage Composition
Humanity
Significant Form
(R)Religious Stories
 |
| Plan of salvation <R-24-2> 120x80x6cm Stainless steel 2024 |
Arabian Nights/ Literature
 |
| Ebony Horse <L-24-3> |
 |
| Lady C <S-24-8> 40x40x2.5cm Stainless steel on wood 2024 |
 |
| The Soil <A-24-6> |
Stainless steel Wire on Wood
2024
